The Pissarro family included a remarkable number of talented artists. At least in part, this doubtless reflects Camille Pissarro’s generosity of spirit and supportive personality. In his etched self-portrait the distinguishing full white beard (which caused contemporaries to compare him to Moses), the sensitive expression as he looks out from the shadowy background and the soft artist’s cap all contribute to an air of patriarchal benevolence. He gave several impressions of this print to members of his family, inscribing them with personal dedications.

Pissarro was a devoted husband and father and there can be no doubt that his large, close-knit family was the emotional foundation of his life. He was a prolific letter writer, and his extensive correspondence with his wife and children, especially his eldest son, Lucien, who was his principal confidant, evinces deep interest in their activities and constant concern for their welfare.

 
Pissarro's Images of His Family
  Camille Pissarro (1830 - 1903)
Jeanne holding a Fan
1873
Oil on canvas
56 x 46.5 cm
Photo © The Ashmolean Museum, University of Oxford
     
  Camille Pissarro (1830 - 1903)
Portrait de Lucien Pissarro
1874
Lithograph
27.8 x 38.1 cm
Photo © The Ashmolean Museum, University of Oxford
 
Pissarro Family Artists
  Felix Pissarro (1874 - 1897)
View at Hemiksem
c.1894
oil on canvas
31.5 x 40.5 cm
Photo © The Ashmolean Museum, University of Oxford
     
  Orovida Camille Pissarro (1893 - 1968)
Winter
1940
Linen
86.7 x 114.5 cm
Photo © The Ashmolean Museum, University of Oxford