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Camille Pissarro, Family and Friends:
Masterworks from the Ashmolean Museum
The renowned Post-Impressionist artist Paul Cezanne once
praised Camille Pissarro (1830-1903) as ‘the first Impressionist
painter.’ A central figure in the formation of this art movement,
Pissarro was the only artist to show in all eight of the
formative Impressionist exhibitions held between 1874 and
1886, striving consistently to uphold its ideals and practices.
As Cezanne admitted, that ‘humble and colossal’ Pissarro
was a founder of Impressionism and one of its most faithful
representatives in many ways. Pissarro’s career in art spanned
the Barbizon school to Impressionism, representing many of
the main trends in modern painting of the nineteenth century.
Not only is he mentioned together with such Impressionist
masters as Monet and Degas, he was also revered by many other
young mentors and friends who would later go on to fame.
Such artists as Cezanne, Gauguin, Van Gogh, and even the
young Matisse all came under his guidance or influence at
one time or another.
The works on exhibit in Camille Pissarro, Family and Friends come from the collection
of the Ashmolean Museum of Art and Archaeology at the University of Oxford in
England. The Ashmolean Museum is home to the most complete set of drawings and
watercolours by Pissarro in the world. This exhibit focuses on Pissarro’s oil
paintings, drawings, prints, and letters, but it also includes works by three
of his painter-sons--Lucien, Felix, and Ludovic-Rodolphe--and by his granddaughter
Orovida. To put Camille Pissarro’s achievements and influence in the wider perspective
of nineteenth-century French art, representative works by Barbizon painters and
Pissarro’s fellow Impressionists have also been selected for exhibit. Always
with an open mind, Pissarro in more than forty years as an artist also absorbed
ideas and techniques of other artists, adding his own innovations that led to
several shifts in style over his career. This special exhibition is divided into
three main themes--“Pissarro and Landscape,” “Pissarro and Rural Life,” and “The
Pissarro Family,” presenting an overview of major developments in the life and
art of the Impressionist patriarch Camille Pissarro. |